A paper linking music rhythms to performed timings and arrhythmia is now published online (open access)—url: journals.sagepub.com/doi/full/10.1177/2059204318795159—in the Music & Science journal edited by Professor Ian Cross. This article documents many of the ideas underlying the ERC ADG COSMOS: Computational Shaping and Modeling of Musical Structures. Chew, E. (2018). Notating disfluencies and temporal deviations in music and arrhythmia. Music & Science, […]
Tag: timing
MazurkaBL: Loudness and beat data for 2000 Chopin Mazurkas @ TENOR 2018
Kosta, Katerina, Oscar F. Bandtlow, Elaine Chew (2018). MazurkaBL: Score-aligned loudness, beat, and expressive markings data for 2000 Chopin Mazurka recordings. In Proc. TENOR, 24-26 May 2018, Montreal, Canada.
Revealing the Thinking Behind Performance in New Thoughts on Piano Performance
Chew, E. (2017). From Sound to Structure: Synchronising Prosodic and Structural Information to Reveal the Thinking Behind Performance Decisions. In C. MacKie (ed.): New Thoughts on Piano Performance: Research at the Interface between Science and the Art of Piano Performance. Kindle Amazon. ISBN 978-164007055-4. Abstract: How a performer hears a piece is the determining factor […]
Music Perception BKN Special Issue: Tipping Points
Chew, E. (2016). Playing with the edge: Tipping points and the role of tonality. In Stephen McAdams, David Temperley, Alexander Rozin (eds.): Milestones in Music Cognition Special Issue, Music Perception, 33(3):344-366