Elaine Chew gives a demonstration of arrhythmia music and music-induced cardiac response at Les Rencontres Lyonnaises de Cardiologie
Emily Graber presents contemporary music tapping demo with physiological sensors at 2022 IRCAM Forum Workshop: 14h30 CET @ Studio 5
Elaine Chew gives keynote on music and cardiology at the Paris Lodron Universität Salzburg / Universität Mozarteum in Austria at 18h00 CET on 17 March 2022.
Announcing launch of CosmoNote, featuring Glenn Gould’s 1955 performance of Goldberg Variations: Aria and the first seven variations
Sci Am OpEd asserting that music’s structural attributes and physiological effects make it an ideal tool for learning cardiology; studying heart-brain interactions; and dispensing neuro-cardiac therapy
Was Beethoven’s possible arrhythmia responsible for his distinctive rhythms? Learn about ventricular ectopics and the making of Arrhythmia Suite, III., from his Fifth Symphony
Are arrhythmia inherently musical? What does arrhythmia feel like? Listen to these musical renditions of snippets of ECG from a patient with atrial fibrillation and other rhythm disturbances and judge for yourself.
Digital première of MorpheuS’ Eine neue “Für Elise” set for 15 December 2020 at 12h15 GMT, in first earth hour of Beethoven’s 250th birthday
A remake of Elaine Chew’s Little Etudes for piano based on cardiac electrical anomalies, this time with introductions to each heart rhythm disorder by Pier Lambiase, Professor of Cardiology at the Barts Heart Centre / UCL.
Nº7 of seven Little Etudes for beginner and intermediate piano players based on different cardiac electrophysiology aberrations for day 7 of WHRW2020: World Heart Rhythm Week (1-7 June 2020)